Wednesday, 18 December 2024
The books I read in 2024
Monday, 18 December 2023
The books I read in 2023
Nuar Alsadir, Animal Joy
Yukito Ayatsuji, The Mill House Murders
Nicholson Baker, A Box of Matches
Thomas Bernhard, Old Masters
Richard Brautigan, A Confederate General from Big Sur
Richard Brautigan, In watermelon sugar
Richard Brautigan, Trout Fishing in America
Gerald Brenan, South from Granada
Natasha Brown, Assembly
Dino Buzzati, Catastrophe and Other Stories
Dino Buzzati, A Love Affair
Jen Calleja, Vehicle
Edward Chisholm, A Waiter in Paris*
Jeremy Cooper, Brian
Michael Crummey, River Thieves
Claire Dederer, Monsters: A Fan’s Dilemma
Len Deighton, Berlin Game
Len Deighton, SS-GB
Maureen Duffy, Capital
Victor E Frankl, Man’s Search for Meaning
Mathias Enard, The Annual Banquet of the Gravediggers’ Guild
CS Forester, Plain Murder
Jon Fosse, Morning and Evening
Jon Fosse, A Shining
Jon Fosse, Trilogy
Willem Frederik Hermans, The Darkroom of Damocles
Willem Frederik Hermans, An Untouched House
Eduardo Galeano, Children of the Days
Chester Himes, If He Hollers Let Him Go
Florian Huber, Promise Me You'll Shoot Yourself
Shirley Jackson, We Have Always Lived in the Castle
Anna Kavan, Ice
Claire Keegan, Foster
Claire Keegan, Small Things Like These
Patrick Leigh Fermor, A Time to Keep Silence
Thea Lenarduzzi, Dandelions
Norman Lewis, The Tomb in Seville
AJ Liebling, Between Meals
Léo Malet, 120 rue de la Gare
Léo Malet, The Rats of Montsouris
Adam Mars-Jones, Box Hill
Robert McLiam Wilson & Donovan Wylie, The Dispossessed
Laurent Mauvignier, The Birthday Party
Clemens Meyer, While We Were Dreaming
Jan Morris, Spain
Haruki Murakami, Novelist as a Vocation
Magdalen Nabb, The Innocent
Cesare Pavese, The Beautiful Summer
Rebecca Pawel, The Summer Snow
David Piper, Trial by Battle
Emeric Pressburger, The Glass Pearl
Edogawa Rampo, Beast in the Shadows
Claudia Rankine, Citizen: An American Lyric
Ben Ratliff, Every Song Ever
Olga Ravn, The Employees
Derek Robinson, Goshawk Squadron
Joe Sacco, Palestine
Leonardo Sciascia, The Knight and Death
Leonardo Sciascia, The Wine-Dark Sea
Georges Simenon, Death Threats
Georges Simenon, The New Investigations of Inspector Maigret
John Steinbeck, Of Mice and Men
Peter Watts, Denmark Street
EB White, Here is New York
Seishi Yokomizo, Death on Gokumon Island
Alejandro Zambra, The Private Life of Trees
Nell Zink, Avalon (67)
* Book of the year
Tuesday, 3 January 2023
The books I read in 2022
Eric Ambler, The Mask of Demetrios
Kjell Askildsen, Everything Like Before
Caleb Azumah Nelson, Open Water
James Baldwin, Go Tell It on the Mountain
Dominique Barbéris, A Sunday in Ville-d’Avray
Julian Barnes, Elizabeth Finch
Julian Barnes, Keeping an Eye Open
Julian Barnes, The Pedant in the Kitchen
Kirsty Bell, The Undercurrents
Michael Bracewell, Souvenir
Jorge Carrión, Bookshops
Nick Cohn, Awopbopaloobop Alopbamboom
Teju Cole, Open City
Moyra Davey, Index Cards
Christopher de Hamel, Meetings with Remarkable Manuscripts
Claudia Durastanti, Strangers I Know
Geoff Dyer, The Last Days of Roger Federer
Brecht Evens, The City of Belgium
Jon Fosse, Aliss at the Fire
Camilla Grudova, The Doll’s Alphabet
Gregor Hens, Nicotine
Marit Kapla, Osebol
David Keenan, For the Good Times
David Keenan, Industry of Magic & Light
Karl Ove Knausgaard, Autumn
Martin Limón, The Joy Brigade
Cameron McCabe, The Face on the Cutting-Room Floor
Ross Macdonald, Meet Me at the Morgue
Seichō Matsumoto, Tokyo Express
Ana María Matute, The Island
Haruki Murakami, T
Magdalen Nabb, The Marshal at the Villa Torrini
PJ O’Rourke, Holidays in Hell
Musa Okwonga, One of Them
Pete Paphides, Broken Greek
Richard Powers, Bewilderment
Joseph Roth, Hotel Savoy
Julian Sancton, Madhouse at the End of the Earth
Philippe Sands, East West Street
Uwe Schütte, Kraftwerk: Future Music from Germany
Leonardo Sciascia, The Moro Affair
Richard Sennett, Building and Dwelling
George Sims, The Last Best Friend*
Natasha Soobramanien and Luke Williams, Diego Garcia
Natsume Sōseki, Sanshirō
Rupert Thomson, Barcelona Dreaming
Charlotte Van den Broeck, Bold Ventures
Janwillem van de Wetering, The Perfidious Parrot
Louise Welsh, The Cutting Room
Seishi Yokomizo, The Village of Eight Graves
Alejandro Zambra, Bonsai (52)
* Book of the year
Wednesday, 23 February 2022
All the books I read in 2020 and 2021
Kobo Abe, The Ruined Map
Chinua Achebe, Things Fall Apart
Svetlana Alexievich, Chernobyl Prayer
Svetlana Alexievich, Second-hand Time
Carlos Manuel Álvarez, The Fallen
Daniel Anselme, On Leave
Bernardo Atxaga, Nevada Days
Yukito Ayatsuji, The Decagon House Murders
Dorothy Baker, Young Man with a Horn
Julian Barnes, The Man in the Red Coat
Polly Barton, Fifty Sounds
Quentin Bates, Cold Comfort
David Bellos, Jacques Tati
Claire-Louise Bennett, Pond
Claire-Louise Bennett, Checkout 19
Matt Benton Rees, The Fourth Assassin
Laurent Binet, Civilisations
Cara Black, Murder on the Champ de Mars
Ulrich Alexander Boschwitz, The Passenger
Kate Briggs, This Little Art
Craig Brown, One Two Three Four
Dino Buzzati, Poem Strip
Dino Buzzati, The Tartar Steppe
Jonathan Coe, Mr Wilder and Me
Joshua Cohen, The Netanyahus
Colin Cotterill, Six and a Half Deadly Sins
Gioacchino Criaco, Black Souls
Frédéric Dard, The Executioner Weeps
Frédéric Dard, Crush
Augusto De Angelis, The Murdered Banker
Giuseppe Tomasi di Lampedusa, The Leopard
Brian Dillon, Suppose a Sentence
David Diop, At Night All Blood Is Black
Garry Disher, Bitter Wash Road
Garry Disher,
Garry Disher, Port Vila Blues
Stuart Douglas, Shuggie Bain
David Downing, Jack of Spies
Geoff Dyer, See/Saw: Looking at Photographs
Mathias Enard, Zone
Annie Ernaux, The Years
Agustín Fernández Mallo, The Things We’ve Seen
Jon Fosse, The Other Name (Septology I-II)*
Jon Fosse, I is Another (Septology III-V)*
Jon Fosse, A New Name (Septology VI-VII)*
Jon Fosse, Scenes from a Childhood
Alan Furst, Under Occupation
Gaito Gazdanov, The Spectre of Alexander Wolf
Natalia Ginzburg, The Dry Heart
Rainald Goetz, Rave
Elizabeth Hardwick, Sleepless Nights
Phil Harrison, The Age of Static
John Hersey, Hiroshima
Andrew Humphreys, Raving upon Thames
Denis Johnson, The Stars at Noon
Lene Kaaberbol and Agnete Friis, The Boy in the Suitcase
Ryszard Kapuściński, The Emperor
David Keenan, This is Memorial Device
Philip Kerr, Hitler’s Peace
Karl Ove Knausgaard, My Struggle 6
Karl Ove Knausgaard & Fredrik Ekelund, Home and Away: Writing the Beautiful Game
Benjamin Labatut, When We Cease to Understand the World
Carson McCullers, The Ballad of the Sad Café
Javier Marías, Your Face Tomorrow 1: Fever and Spear
Javier Marías, Your Face Tomorrow 2: Dance and Dream
Javier Marías, Your Face Tomorrow 3: Poison, Shadow and Farewell
Seicho Matsumoto, A Quiet Place
Fernanda Melchior, Hurricane Season
Clemens Meyer, Bricks and Mortar
Leonard Michaels, The Nachman Stories
Joseph Mitchell, Up in the Old Hotel
Shigeru Mizuki, Showa 1926-39
Patrick Modiano, Missing Person
Haruki Murakami, Killing Commendatore
Haruki Murakami, First Person Singular
Magdalen Nabb, The Monster of Florence
Cees Nooteboom, Roads to Santiago
Howard Norman, The Northern Lights
James O’Brien, How to Be Right
Andrew O’Hagan, Mayflies
David Olusuga, Black and British
Eliot Pattison, The Lord of Death
David Peace, Tokyo Redux
Roberto Perone, The Second Life of Inspector Canessa
Philippa Perry, The Book You Wish Your Parents Had Read
Leo Perutz, Saint Peter’s Snow
Arthur Phillips, The King at the Edge of the World
Chris Power, A Lonely Man
Ian Rankin, A Song for the Dark Times
Robin Robertson, The Long Take
Marilynne Robinson, Jack
Nicholas Royle, White Spines: Confessions of a Book Collector
Salman Rushdie, Quichotte
Tayeb Salih, Season of Migration to the North
Leonardo Sciascia, A Simple Story
Anna Seghers, Transit
Jorge Semprun, The Long Voyage
Adania Shibli, Minor Detail
Soji Shimada, The Tokyo Zodiac Murders
Georges Simenon, Sunday
Georges Simenon, Death Threats
Maria Stepanova, In Memory of Memory
Quentin Tarantino, Once Upon a Time in Hollywood
Masako Togawa, The Lady Killer
Olga Tokarczuk, The Books of Jacob
William Trevor, Last Stories
Janwillem van de Wetering, The Sergeant’s Cat
Hilde Vandermeeren, The Scorpion’s Head
Luis Fernando Verissimo, The Spies
Tarjei Vesaas, The Ice Palace
Enrique Vila-Matas, Never Any End to Paris
Katharina Volckmer, The Appointment
Peter Wahloo, The Lorry
Edmund White, The Flâneur
Timothy Williams, Big Italy
Qiu Xiaolong, Enigma of China
Seishi Yokomizo, The Honjin Murders
Seishi Yokomizo, The Inugami Curse
Shuichi Yoshida, Villain
Nell Zink, Doxology (120)
* Book(s) of the year(s)
Tuesday, 26 March 2019
Avian invasion
As a resident of Richmond, I'm terribly proud of our parakeet population. A chance sighting during the day feels like a cheery greeting from the gods, a bright hint of good fortune and conviviality.
Now, Paradise Road, the 'extremely small' publisher behind writer Peter Watts's estimable investigation of Battersea Power Station, Up In Smoke, has produced The Parakeeting of London, by 'gonzo ornithologists' Nick Hunt and Tim Mitchell. A delightful trawl through the history and mythology of our cocksure neighbours, it's interspersed with many wonderful interviews with random passersby, whose views frequently stray into chance musings on immigration and belonging.
It's a terrific read and you can order a copy from Paradise Road, or ask your local bookshop to get it in.
Monday, 18 March 2019
Not so slight return
Gangway are back, back, back! The Danish pop group, who split up in 1998, release a fantastic new album, Whatever It Is, on 5 April. Fêted with multiple awards in their home country, their biggest moment in the UK probably came with dissolute single My Girl and Me (1986).
Gangway's first album The Twist, with its echoes of The Smiths, came out back in 1984; Whatever It Is feels appropriately like the follow-up to the band's final, seventh, That's Life (1996). In the spirit of experimentation on that album, Whatever It Is is completely contemporary - as if That's Life had been moved forward in time.
The songwriting is as lovely as ever, as evidenced on first single Colourful Combinations, augmented by some fascinating sounds: there's a great mix from track Whatever… to the penultimate Exit, with its sample reference to where they left off 23 years ago - a hiatus worthy of filmmakers Whit Stillman, Terrence Malick or Roy Andersson. Second single Don't Want to Go Home, reworked from songwriter Henrik Balling's The Quiet Boy side project, sits particularly well here (I love, again, the odd noise at the end).
The band intend to back up this tremendous achievement with a series of live dates throughout the year. You can find links to the album and more on the band's Facebook page.